Who are we?

Senior Re-Recording Mixer

Austin is an audacious sound editor and mixer from Los Angeles. Writing and recording music at an early age opened his eyes to the glory of sound creation.  While forever a musician, Austin began obsessing over the sound choices in There Will Be Blood and Game of Thrones.

As he sank his teeth into post production sound, Austin began editing and mixing independent features such as The Funeral Guest and Summer of 8 as a team of one.  He learned quickly on the job, covering a wide variety of genres, languages and scopes of films.

Always committed to pushing the limits of his comfort zone, Austin has more recently been mixing TV commercials and web spots. He not only welcomes new challenges, he craves them in an endless hunt for auditory satisfaction in the world of media.

Austin brings a limitless desire to push his abilities and experience to every new project.  His ears are wide open for whatever project is just around the bend.

Co-Founder of Transported Music

Daniel is an Emmy-winning composer for film, television, commercials and trailers.

Daniel began his career studying music composition, production, and songwriting at Musicians Institute in Hollywood, CA. He writes in a wide range of styles, covering everything from intimate acoustic to modern cinematic, but has a strong passion for trailer and advertisement music.

Early in his career while scoring student films, Daniel trained under accomplished film composer Andrew Gross. After expanding his skill set and knowledge, Daniel began writing music for top networks including Fox, ABC, NBC, CBS, A&E and Discovery. Since then, he has earned more than 75 credits working on a wide range of commercial projects including recent feature films for Netflix, Amazon, Vudu, and Lionsgate.

In addition to leading the charge on our custom music, Daniel supervises Transported Tracks, our boutique library built specifically to suit the needs of high quality trailers and commercials.  We’ve been fortunate to land placements for these tracks with studios including Toyota, Gatorade, Under Armour, Warner Bros, Amazon and the NFL.

Daniel is thrilled to be a part of the Transported Audio team and loves the challenge of finding and creating unique musical sounds to bring to each and every project.

Head of Game Dialogue

Paul is a sound editor and designer with fifteen years of experience in post production sound. 

After completing the USC School of Cinematic Arts’ MFA program, Paul embarked on a career in game dialogue editorial and mastering.  Some of his notable credits include Metal Gear Solid V, Star Wars: The Old Republic, Uncharted 4, Call of Duty: Modern Warfare, Ghost of Tsushima (MPSE Golden Reel Award Nominee), and also foley editorial for God of War: Ragnarok (Gold Reel Award Winner).  Prior to joining Transported Audio full time, Paul was a game dialogue editor for Formosa Interactive, Soundelux Interactive, Pacific Audio Post and Technicolor Interactive.

Outside of game dialogue, Paul has worked on a large variety of projects, including the Sundance Film Festival feature film Escape From Tomorrow, Rocket Jump’s episodic series Video Game High School (Golden Reel Award Nominee), 5 Second Films’ gratuitous horror comedy Dude Bro Party Massacre 3, and a haunted house experience for American Horror Story.

While his background is in film, Paul quickly found that his meticulous and detail-oriented approach to editing lent itself well to game audio. In addition to his high profile game dialogue work, Paul has designed the sound for independent games including Star Trek: DAC and Microbot.

Paul is most happy when his sound work affects the listener in both subtle and dynamic ways, and he is excited to bring that approach to Transported Audio!

Lead ADR Mixer

Eric’s sound journey began in an old unfinished basement in upstate New York. While playing in a band, he realized they had no way to record themselves, so he took it upon himself to learn how to record.

Eric branched out to Film, TV, and Game sound while attending DePaul University in Chicago, eventually earning his M.S. in Film/TV: Sound Production. During his schooling, he was still heavily involved in music production, recording original music with a friend for a record label in the Netherlands.

Since moving to Los Angeles, Eric has engineered game dialog recordings for several AAA games across multiple studios. He has also worked on a plethora of indie films, and his work was featured at the Black Harvest Film Festival in Chicago.

Eric is extremely excited to be on the TA team and looks forward to all the unique opportunities ahead.

Re-Recording Mixer and Lead Engineer

A 16-year veteran of the sound industry, Rob has worked in music, film, television and advertising.

Rob started his journey in music production, working as a live engineer, and then later as a recording and mix engineer. He quickly discovered a love for film post production, specifically in sound editorial and mix, and decided to pursue a career in post. He hasn’t looked back since.

Most recently, Rob worked at 740 Sound for 8 years, where he served as a Re-Recording Mixer, Sound Supervisor, and Chief Engineer.

Rob is excited to be in the Transported Audio family and to add his skills and experience to our talented team!

Re-Recording Mixer and Supervising Sound Editor

Marcello Dubaz is an Emmy-nominated re-recording mixer and sound designer based in New York City with over 15 years of experience. He has mixed and sound edited for companies including HBO Max, Netflix, Starz, Disney+, WB, ABC, Hulu, CBS, FOX, and FX.

He spent 2007 to 2022 in Los Angeles with major stints at Technicolor Sound Services, Formosa Group, and Warner Bros. During this time he worked on various acclaimed series including Cobra Kai, American Horror Story, Snowfall, 9-1-1, The Mysterious Benedict Society, Tyrant, and Roots; the latter of which he was nominated for a MPSE Golden Reel Award and a Primetime Emmy Award. 

His recent feature credits include Babes, directed by Pamela Adlon, and The Shade, directed by Tyler Chipman. When it comes to his craft, Marcello is constantly amazed and curious with how sound and the absence of sound interplay to affect story, character, rhythm, and tone.

Having grown up the child of an immigrant and having spoken English and various dialects of Italian at home, Marcello became a keen observer of how the subtle differences in language from one region to another can be culturally informative and sometimes drastic.  He’s uniquely tuned to the sounds of our world and studies how we can perceive them similarly and differently from one another.

Marcello relocated to New York in 2022, and is active in the New York and Los Angeles filmmaking communities.

Re-Recording Mixer

Paul is a supervising sound editor, designer, and mixer with over 20 years of industry experience. Since graduating from Emory University, he has worked on everything from feature films to television shows, documentaries and games.

Among Paul’s many credits, he has led sound teams on acclaimed theatrical films including Trolls World Tour, Sinister 2 and It (2017).

Paul is a member of the Academy of Motion Picture Arts and Sciences as well as the Motion Picture Sound Editors.

Sound Designer

Kevin is a sound designer with years of experience in TV, Internet videos, games and theatrical films. He combines his education from USC’s School of Cinematic Arts with a love for improvised, self-taught techniques.  His work has earned two MPSE Golden Reel nominations. 

Additionally, he teaches sound for RocketJump Film School, which offers free online film education for up-and-coming filmmakers through videos, podcasts, and community interaction.  He is also the Head of Sound Department at RocketJump.

Kevin enjoys crafting unique sounds rich with character, drama, and credibility.

Sound Designer

Christopher began his audio fascination from recording music with his band in high school.

As his interest in music production grew, Chris ended up taking a Sound Design class during his time at Boston College as a way to gain a different perspective on audio. This class changed everything for him, leading him to apply to graduate school at USC’s School of Cinematic Arts, where he earned his MFA.

Chris has edited and mixed several projects that have premiered and won awards at a multitude of festivals, including the Student Academy Awards, Tribeca Film Festival, and SXSW.

Always excited to learn new tricks, Chris welcomes any challenges a project has to offer.

Sound Editor

Born and raised in Los Angeles, Nathan is a well-rounded sound designer, editor, mixer with a few years of experience in the film, animated television, and music industries.

Early in his career, Nathan worked as a music producer, bouncing around studios across LA with artists he produced for. He quickly developed a passion for film sound after working on a concept film for one of the artists. From there, he traveled across the country to attend SCAD’s Sound Design Master’s program, diving deeper into sound for film and television.

After graduating, Nathan worked at Boom Box Post as an apprentice and sound editor, learning under their experienced editors and mixers. During his time there, he was able to work on a plethora of animated children’s television series for studios including Disney, Dreamworks, and Nickelodeon.

Nathan prides himself in his ability to shape narratives through sound, and is always up for new challenges and experiences. He is beyond excited to join Transported Audio and hopes he can continue to expand his skills and creativity alongside the team.

Sound Designer

When Mitch isn’t crunching on big projects, you’ll often find him crafting unique sound effects that might be useful for projects down the road.

Sound Editor

Cabba Jiaxuan Cai is a bilingual sound editor born and raised in Hunan, China, and divides her time between her home country and Los Angeles.  She has an MFA degree from the University of Southern California’s graduate film and television production program.

Cabba began developing and honing her craft from a young age, inheriting her love of filmmaking from her father who works professionally in the China industry. She obtained a BA, majoring in Film Sound, from the Beijing Film Academy, one of the most esteemed film schools in Asia.

She loves the visual and aural elements of film as a medium for storytelling and hopes to continue sharing stories that move her. She wrote, directed, and did sound design for her first short film Mobius (2016), for which the China Society of Motion Picture and Television Engineers bestowed upon her the First Prize in the Sound Academy Awards. After graduating from college, she worked as a sound editor and post supervisor on feature films, television shows, and web series in China. In her three years at USC, she performed the dual roles of editor and sound designer on several award-winning shorts, including Breaking and Entering: Women of the LAPD (2019), Go! Go! (2019), Unfinished Lives (2020), Ripple Effect (2020).

Cabba is thrilled to join Transported Audio and loves facing new challenges every day!

Sound Editor

Ryan is passionate about three things: sound, The Beatles, and David Fincher movies.

Originally from Williamsburg, Virginia, he began writing and recording original music in a makeshift studio he built in his room. It was during those late hours recording that he fell in love with creating his own sounds.

Ryan earned his MFA from USC’s School of Cinematic Arts, where he was the first student to mix multiple projects in Dolby Atmos and 7.1 Surround Sound. His Dolby Atmos work spans multiple genres, from action-comedy to musicals to period drama films. Ryan has edited and mixed projects that have premiered at the Tribeca, Austin, and Cannes film festivals. Additionally, he currently teaches an advanced sound course at California State University Northridge on industry standards for production sound recording and sound editing.

As for those three passions?  His favorite sound is rain, favorite song is “Help!” and favorite movie is “The Social Network”.

Sound Editor

Audrey is a passionate, decorated Sound Editor and Producer with a wealth of experience.  Nothing is more fulfilling to her than creating unique, rich soundscapes for narrative films, documentaries and interactive media.  Her work has been nominated for two MPSE Golden Reel Awards, a CAS award and has won two Student Academy Awards.

Audrey received her bachelor’s degree in Sound Engineering at the University of China.  She found her true calling in a semester abroad when, while at the famous Fox Theater in Westwood, she heard the sound of the THX Logo in Dolby Atmos.  Audrey was absolutely floored by all of the audible details and immediately knew that she wanted to pursue sound design as her career.

After graduating, she spent a year and half working in TV, News and the Film industry in China before fully pursuing her passion for sound design at the University of Southern California in Film and Television Production.

While pursuing her MFA degree at USC, Audrey was a teacher’s assistant for three semesters.  She mixed award-winning short films and documentaries at USC, including Wash and Crush, Love & Loss.  Audrey strove to discover new techniques and philosophies by constantly working on projects, even when not required to for credits.  After long days of classes, she edited and mixed independent feature films at night, including The Last Three Days, Voodoo Macbeth and To Us From Us, which earned over 16 billion views after being releasing on Iqiyi, the most popular streaming service in China.

In her free time, Audrey enjoys discovering great food, especially when she’s able to cook it herself.  If you need a list of go-to restaurants in LA or in Beijing, ask Audrey!

Sound Designer

Josh Moore is a Sound Editor hailing from Tallahassee, Florida. He grew up playing music in his dad’s bluegrass band, as well as multiple punk bands.

Josh’s early experiences playing the viola, guitar and bass drew him to recording and eventually Missouri State University, where he received a BS in their Electronic Arts Audio Studies program.

After taking a film editing class at MSU, Josh fell in love with filmmaking and specifically sound editing. He worked on three award-winning student films.

Josh loves working in contrast, designing big impactful sounds one moment, and creating delicate, immersive design to heighten someone’s psychological state the next. He firmly believes that the story drives everything, informing every creative decision he makes.

Josh aims to push boundaries and learn from every project he has the great fortune of working on.

Team Philosopher

Traveler left Earth eons ago to embark on an extended journey through space and time.  Her return had gone largely unnoticed… until now.

While our senses may guide us from moment to moment, she’s seen, heard and experienced things the rest of us couldn’t begin to imagine.  Life out in the infinite is full of surprises.

Since her return, Traveler has made TA’s mix stages her new home.  You’ll usually find her exploring our Apollo mix stage.

If you ever find yourself in our studios, snapping a picture with Traveler will absolutely make her day!